{"id":6127,"date":"2010-06-10T21:46:19","date_gmt":"2010-06-10T21:46:19","guid":{"rendered":"http:\/\/www.kainowska.com\/sito\/?p=6127"},"modified":"2023-10-28T16:50:14","modified_gmt":"2023-10-28T16:50:14","slug":"mondi-congelati-e-rarefazione-___-le-installazioni-di-porcellana-di-liu-jianhua-per-il-catalogo-di-post-monumentum","status":"publish","type":"post","link":"https:\/\/www.kainowska.com\/sito\/mondi-congelati-e-rarefazione-___-le-installazioni-di-porcellana-di-liu-jianhua-per-il-catalogo-di-post-monumentum\/","title":{"rendered":"MONDI CONGELATI E RAREFAZIONE ___ Le installazioni di porcellana di Liu Jianhua per il catalogo di POST-MONUMENTUM"},"content":{"rendered":"<hr \/>\n<p style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-floating-landscape-2010.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-6145 size-full\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-floating-landscape-2010-e1445830419622.jpg\" alt=\"liu janhua floating landscape 2010\" width=\"800\" height=\"600\" \/><\/a> <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdream-in-conflict.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-6128\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdream-in-conflict.jpg\" alt=\"LIU JIANHUAdream in conflict\" width=\"644\" height=\"463\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdream-in-conflict.jpg 644w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdream-in-conflict-300x216.jpg 300w\" sizes=\"(max-width: 644px) 100vw, 644px\" \/><\/a><\/span><span style=\"font-size: medium;\">\u00c8 partito andandosene di casa a dodici anni, per andare a lavorare nelle fabbriche di porcellana di Jingdezhen. \u00c8 arrivato ad esporre in tutto il mondo. Il suo lavoro artistico si muove fra <strong>dicotomie oppositive<\/strong>. Da una parte <strong>colori sgargianti<\/strong>, forme pop e una <strong>carica sessuale<\/strong> che ricorda Allen Jones, con i primi esperimenti e soprattutto con <em>The Memory of Enchantement of the Frolic Ceramic Sculture Series <\/em>(1998): figurette femminili acefale, vestite di abiti tradizionali, pronte ad essere mangiate senza opporre resistenza.<a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-early-works.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-large wp-image-6142\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-early-works.jpg\" alt=\"LIU JIANHUA early works\" width=\"880\" height=\"580\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-early-works.jpg 880w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-early-works-300x198.jpg 300w\" sizes=\"(max-width: 880px) 100vw, 880px\" \/><\/a> <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works-3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-large wp-image-6143\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works-3.jpg\" alt=\"liu janhua early works 3\" width=\"972\" height=\"800\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works-3.jpg 972w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works-3-300x247.jpg 300w\" sizes=\"(max-width: 972px) 100vw, 972px\" \/><\/a> <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-6144\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works.jpg\" alt=\"liu janhua early works\" width=\"975\" height=\"800\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works.jpg 975w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/liu-janhua-early-works-300x246.jpg 300w\" sizes=\"(max-width: 975px) 100vw, 975px\" \/><\/a> Dall\u2019altra parte un <strong>mondo congelato<\/strong>, in cui il tempo si ferma e lo spazio revoca le sue normali leggi. Stivali da donna, termos, <em>tupperware<\/em>, biberon, tutti rigorosamente di lucida porcellana bianca, allineati per terra, sospesi in aria, aggrappati sui muri per <em>Daily Fragile<\/em> (2001).\u00a0<a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-large wp-image-6129\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA.jpg\" alt=\"LIU JIANHUA\" width=\"766\" height=\"490\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA.jpg 766w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-300x192.jpg 300w\" sizes=\"(max-width: 766px) 100vw, 766px\" \/><\/a> <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdaily-fragile.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-6130 size-full\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdaily-fragile-e1445830618629.jpg\" alt=\"LIU JIANHUAdaily fragile\" width=\"800\" height=\"600\" \/><\/a> <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdaily-fragile2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-6131 size-full\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUAdaily-fragile2-e1445830645413.jpg\" alt=\"LIU JIANHUAdaily fragile2\" width=\"800\" height=\"600\" \/><\/a> E poi aeroplanini, arti, tastiere di computer che si scompongono in pezzi, formando una traccia di detriti dentro un\u2019enorme stanza bianca, nell\u2019installazione <em><strong>Dream<\/strong><\/em> (2005), in memoria dell\u2019esplosione dello shuttle Columbia. <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-6134\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream-2.jpg\" alt=\"LIU JIANHUA dream 2\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream-2.jpg 1000w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream-2-300x200.jpg 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a> <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-large wp-image-6135\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream.jpg\" alt=\"LIU JIANHUA dream\" width=\"869\" height=\"580\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream.jpg 869w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream-300x200.jpg 300w\" sizes=\"(max-width: 869px) 100vw, 869px\" \/><\/a><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-6136\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream3.jpg\" alt=\"LIU JIANHUA dream3\" width=\"1000\" height=\"667\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream3.jpg 1000w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-dream3-300x200.jpg 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a>Con le ultime prove (<em>Rem(a)inders, Abandoned Memory<\/em>, (2010) Liu Jianhua sembra muoversi in direzione di una <strong>rarefazione<\/strong> ancora pi\u00f9 estrema.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: Times New Roman,serif;\"><span style=\"font-size: medium;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-6140\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010.jpg\" alt=\"LIU JIANHUA 2010\" width=\"880\" height=\"416\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010.jpg 880w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010-300x142.jpg 300w\" sizes=\"(max-width: 880px) 100vw, 880px\" \/><\/a> <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-6141\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010-2.jpg\" alt=\"LIU JIANHUA 2010 2\" width=\"1000\" height=\"750\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010-2.jpg 1000w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-2010-2-300x225.jpg 300w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" \/><\/a>L\u2019opera portata in Biennale coniuga i colori sgargianti dell\u2019universo pop con la qualit\u00e0 arcana e sospesa tipica delle installazioni di porcellana bianca. <em><strong>Unreal Scene <\/strong><\/em>(2008): tre isole alla deriva, in cui colorate <em>fishes<\/em> da gioco si impilano a migliaia le une sulle altre. Fino a comporre una citt\u00e0 futurista, in cui le <strong>potenzialit\u00e0 pecuniarie<\/strong> e l\u2019<strong>alea del gioco<\/strong> si impongono come componenti costitutive. <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-virtual-installation.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-6138\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-virtual-installation.jpg\" alt=\"LIU JIANHUA virtual installation\" width=\"869\" height=\"580\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-virtual-installation.jpg 869w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/LIU-JIANHUA-virtual-installation-300x200.jpg 300w\" sizes=\"(max-width: 869px) 100vw, 869px\" \/><\/a><\/span><span style=\"font-size: medium;\">Liu Jianhua (Jiangxi, 1962, vive e lavora a Shangai)<\/span><\/span><\/p>\n<hr \/>\n<p style=\"text-align: justify;\">Pubblicato su POST-MONUMENT, il catalogo della XIV edizione della Biennale Internazionale di Scultura di Carrara, a cura di Flavio Cavallucci, giugno 2010 Silvana Editoriale <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2015\/01\/Download-Pdf-Liu-Janhua-POSTMONUMENT.pdf\">Download Pdf Liu Janhua POSTMONUMENT<\/a><\/p>\n<hr \/>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/06\/Liu-Jianhua1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-9656\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/06\/Liu-Jianhua1.jpg\" alt=\"Liu Jianhua\" width=\"475\" height=\"357\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/06\/Liu-Jianhua1.jpg 475w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/06\/Liu-Jianhua1-300x225.jpg 300w\" sizes=\"(max-width: 475px) 100vw, 475px\" \/><\/a><\/p>\n<hr \/>\n<p style=\"text-align: justify;\">\n","protected":false},"excerpt":{"rendered":"<p>\u00c8 partito andandosene di casa a dodici anni, per andare a lavorare nelle fabbriche di porcellana di Jingdezhen. \u00c8 arrivato ad esporre in tutto il mondo. Il suo lavoro artistico si muove fra dicotomie oppositive. Da una parte colori sgargianti, forme pop e una carica sessuale che ricorda Allen Jones, con i primi esperimenti e [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[49,29],"tags":[2688,2689,2682,2671,2686,2687,160,70,2685,2681,2690,2683,2662,1950,2684,2691],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>MONDI CONGELATI E RAREFAZIONE ___ Le installazioni di porcellana di Liu Jianhua per il catalogo di POST-MONUMENTUM - Kainowska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kainowska.com\/sito\/mondi-congelati-e-rarefazione-___-le-installazioni-di-porcellana-di-liu-jianhua-per-il-catalogo-di-post-monumentum\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MONDI CONGELATI E RAREFAZIONE ___ Le installazioni di porcellana di Liu Jianhua per il catalogo di POST-MONUMENTUM - Kainowska\" \/>\n<meta property=\"og:description\" content=\"\u00c8 partito andandosene di casa a dodici anni, per andare a lavorare nelle fabbriche di porcellana di Jingdezhen. \u00c8 arrivato ad esporre in tutto il mondo. Il suo lavoro artistico si muove fra dicotomie oppositive. 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Il suo lavoro artistico si muove fra dicotomie oppositive. 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