{"id":1723,"date":"2011-05-06T10:48:45","date_gmt":"2011-05-06T10:48:45","guid":{"rendered":"http:\/\/www.kainowska.com\/sito\/?p=1723"},"modified":"2015-09-21T12:57:37","modified_gmt":"2015-09-21T12:57:37","slug":"francesco-disa-___-this-whole-worlds-wild-at-heart-and-weird-on-top-en","status":"publish","type":"post","link":"https:\/\/www.kainowska.com\/sito\/francesco-disa-___-this-whole-worlds-wild-at-heart-and-weird-on-top-en\/","title":{"rendered":"THIS WHOLE WORLD’S WILD AT HEART AND WEIRD ON TOP__ The exhibition of Francesco D’Isa"},"content":{"rendered":"
\n

Graphic elegance, tribal vocation, a subtle eroticism in a morbid anatomy style. The classical statues<\/strong> are quoted by amputations<\/strong> in Francesco D\u2019Isa<\/strong>\u2019s art. The limbs, severed by time, integrate in a living body, becoming decorations, baroque whirls, smoothed roundels like doll parts.<\/p>\n

\"\"<\/a>Lately the protagonists of D\u2019Isa\u2019s works have abandoned their universe of damask and last generation pastel colours, to insert themselves in modernist landscapes<\/strong>. Skyscrapers like the Tyrell Corporation of Blade Runner<\/em>, a lotophagous Lolita with a calcified, spiral-shaped cache-sex, and a huge beetle integrated in her coiffure, like some Cronemberg<\/strong>\u2019s creatures.<\/p>\n

\"\"<\/a>How It Works<\/em> shows the functioning in section of an atomic power station, and, at the same time, how it works the anatomy<\/strong> of the Queen of the Radiations, with her royal helmet and throne, and her worm-like outgrows, at the basis of her spine. The body components are shown also in Queen of Heart<\/em>, who is going to play a black ace of heart with her one arm left. Her cardiac muscle has moved to the level of the matrix, together with its pulses.<\/p>\n

\"\"<\/a> Pornsaint Toya<\/em> has the section of a brain instead, strangely similar to a pair of ovaries, at the level of her uterus.<\/p>\n

\"\"<\/a>The protagonist of Green Kiss<\/em> exhibits two further mouths on her breast, opening the slit with her fingers and showing her hollow chest impaled on a black pole.\"\"<\/a>The rules of the body-machine fall down in the Brave New World<\/strong> of Francesco D\u2019Isa, in favour of everything that\u2019s cruel, refined, bizarre.<\/p>\n

\"\"<\/a>To end the circle, a sidereal landscape<\/strong>, with precious and labyrinthine facets like the crystal lattice of diamonds’ tetrahedrons: this is the ideal setting to put on stage the mystique of suicide<\/strong>. A theatre of ice, where a body, which alternates fibrous parts with others illuminated by geometries of beams, confronts itself with a Borchardt C 93, a German semi-automatic weapon of the late Nineteenth Century. Frame, trigger, trigger cover, magazine catch button, recoil spring housing screw, grip screw, connecting pin, barrel, firing pin screw. The Suicidal Mantra <\/em>has to be declaimed with an impassive expression like a Vogue fashion model’s, because any feeling can be lethal to wild hearts.<\/p>\n

\"\"<\/a><\/p>\n

\n

 <\/p>\n

Critical input for the exhibition This Whole World’S Wild At Heart And Weird On Top, curated by Luisa Catucci, Gallery Cell63, Berlin, May the Sixth 2011.<\/p>\n

dowload wildatheart press release<\/a><\/span><\/span><\/p>\n

\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Graphic elegance, tribal vocation, a subtle eroticism in a morbid anatomy style. The classical statues are quoted by amputations in Francesco D\u2019Isa\u2019s art. The limbs, severed by time, integrate in a living body, becoming decorations, baroque whirls, smoothed roundels like doll parts. Lately the protagonists of D\u2019Isa\u2019s works have abandoned their universe of damask and […]<\/p>\n","protected":false},"author":1,"featured_media":1724,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[24],"tags":[],"yoast_head":"\nTHIS WHOLE WORLD'S WILD AT HEART AND WEIRD ON TOP__ The exhibition of Francesco D'Isa - Kainowska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kainowska.com\/sito\/francesco-disa-___-this-whole-worlds-wild-at-heart-and-weird-on-top-en\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THIS WHOLE WORLD'S WILD AT HEART AND WEIRD ON TOP__ The exhibition of Francesco D'Isa - Kainowska\" \/>\n<meta property=\"og:description\" content=\"Graphic elegance, tribal vocation, a subtle eroticism in a morbid anatomy style. 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