{"id":1330,"date":"2010-02-26T08:53:57","date_gmt":"2010-02-26T08:53:57","guid":{"rendered":"http:\/\/www.kainowska.com\/sito\/?p=1330"},"modified":"2015-01-06T22:11:35","modified_gmt":"2015-01-06T22:11:35","slug":"pabo_-pop-classic","status":"publish","type":"post","link":"https:\/\/www.kainowska.com\/sito\/pabo_-pop-classic\/","title":{"rendered":"POP CLASSIC _ The exhibition of Pabo at Superplan, Berlin"},"content":{"rendered":"<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Alchemist-Detail.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-1331 size-full\" title=\"PABO-Alchemist-Detail\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Alchemist-Detail.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Alchemist-Detail.jpg 1200w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Alchemist-Detail-300x200.jpg 300w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Alchemist-Detail-1024x682.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a>In the horizon of big urban conglomerates, the spectators\u2019 eye expects to see &#8211; beyond the spaces occupied by advertising \u2013 the canon of stencils, the quick letters in stick or bubble style, the wild multilevel labyrinths. <strong>Portraiture<\/strong> is a phenomenon mainly based in American metropolis, and deals with the private sphere of <strong>mortuary epigraphs<\/strong>: the subjects are the victims of gang-wars, or anyhow, dead people. Almost all painted in spray.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-1332 size-full\" title=\"PABO-2\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-2.jpg\" alt=\"\" width=\"1176\" height=\"1167\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-2.jpg 1176w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-2-150x150.jpg 150w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-2-300x297.jpg 300w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-2-1024x1016.jpg 1024w\" sizes=\"(max-width: 1176px) 100vw, 1176px\" \/><\/a><strong>PABO<\/strong> breaks this code, not as much for the subjects &#8211; he isn\u2019t the first street artist who represents pop culture icons- but rather for <strong>technique<\/strong>. He makes <strong>pencil<\/strong> drawing portrays, crowded with signs, with the <strong>pale<\/strong> and subtle <strong>colours<\/strong> of crayons and of ballpoint pen scratches. Famous ghosts, in absolutely classic style. <a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-3.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-1333 size-full\" title=\"PABO-3\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-3.jpg\" alt=\"\" width=\"1019\" height=\"1168\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-3.jpg 1019w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-3-261x300.jpg 261w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-3-893x1024.jpg 893w\" sizes=\"(max-width: 1019px) 100vw, 1019px\" \/><\/a><strong>Jimi Hendrix<\/strong>, baron jacket and <em>maudit<\/em> neckwear, becomes an alchemist, lighted by acid glares, with strong and tender features like the boys of Caravaggio. Hendrix, in the triptych in which he appears, is flanked by a preacher, <strong>Martin Luther King<\/strong>, and a dancer, <strong>Cassius Clay<\/strong>. Words and mind, ether and music, body and harmonics of war. The Golden Boy, the Hand of God, the number one client of pushers and detox-programmes, collectors of by-blows, churches and aedicules\u00a0 dedicated to him in Argentina and in Naples: despite his sparkling curriculum, <strong>Diego Armando Maradona<\/strong> is represented in a still and unruffled way, almost like an ancient herm.<\/p>\n<p><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Maradona.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft wp-image-1335 size-full\" title=\"PABO-Maradona\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Maradona.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Maradona.jpg 1200w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Maradona-300x200.jpg 300w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Maradona-1024x682.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a>\u00a0 The other subjects chosen by PABO are <strong>Birol Unel<\/strong>, a niche German\/Turkish actor, and a victim of Hurricane Katrina.<\/p>\n<p><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Birol_U\u00cc\u02c6nel.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-1336\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Birol_U\u00cc\u02c6nel.jpg\" alt=\"PABO-Birol_U\u00cc\u02c6nel\" width=\"800\" height=\"1200\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Birol_U\u00cc\u02c6nel.jpg 800w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Birol_U\u00cc\u02c6nel-200x300.jpg 200w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/PABO-Birol_U\u00cc\u02c6nel-682x1024.jpg 682w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a>Playing on the borderline which separates heaven and hell, the <strong>eternity<\/strong> and the <strong>fifteen minutes of fame<\/strong>, PABO proposes a <strong>temporal melting pot <\/strong>of styles and ages, a con\/fusion between the private dimension of the sketch-pad and the public dimension of the city walls, showing us a mapping of the collective imaginary\u2019s memory.<\/p>\n<p><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/02\/PABO-Preacher_Alchemist_Dancer.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-4419\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/02\/PABO-Preacher_Alchemist_Dancer.jpg\" alt=\"PABO-Preacher_Alchemist_Dancer\" width=\"1200\" height=\"640\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/02\/PABO-Preacher_Alchemist_Dancer.jpg 1200w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/02\/PABO-Preacher_Alchemist_Dancer-300x160.jpg 300w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2010\/02\/PABO-Preacher_Alchemist_Dancer-1024x546.jpg 1024w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a>Text for the exhibition of Pabo at <span style=\"text-decoration: underline;\"><span style=\"color: #800080;\"><a style=\"color: #800080; text-decoration: underline;\" href=\"http:\/\/www.superplan.net\/\">Superplan<\/a><\/span><\/span> Gallery, Berlin, February the 26th, 2010<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; &nbsp; In the horizon of big urban conglomerates, the spectators\u2019 eye expects to see &#8211; beyond the spaces occupied by advertising \u2013 the canon of stencils, the quick letters in stick or bubble style, the wild multilevel labyrinths. Portraiture is a phenomenon mainly based in American metropolis, and deals with the private sphere of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1331,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[49,24],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>POP CLASSIC _ The exhibition of Pabo at Superplan, Berlin - Kainowska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kainowska.com\/sito\/pabo_-pop-classic\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"POP CLASSIC _ The exhibition of Pabo at Superplan, Berlin - Kainowska\" \/>\n<meta property=\"og:description\" content=\"&nbsp; &nbsp; In the horizon of big urban conglomerates, the spectators\u2019 eye expects to see &#8211; beyond the spaces occupied by advertising \u2013 the canon of stencils, the quick letters in stick or bubble style, the wild multilevel labyrinths. 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