{"id":104,"date":"2011-04-07T18:05:38","date_gmt":"2011-04-07T18:05:38","guid":{"rendered":"http:\/\/www.kainowska.com\/sito\/?p=104"},"modified":"2015-10-05T21:48:45","modified_gmt":"2015-10-05T21:48:45","slug":"david-casini-_pandora-genesis","status":"publish","type":"post","link":"https:\/\/www.kainowska.com\/sito\/david-casini-_pandora-genesis\/","title":{"rendered":"PANDORA GENESIS___ Capsidi virali, reliquiari e morte nell&#8217;opera &#8220;Genera&#8221; di David Casini"},"content":{"rendered":"<hr \/>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/5-sans-titre-en-silence1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\" size-full wp-image-112 aligncenter\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/5-sans-titre-en-silence1.jpg\" alt=\"David Casini, sans titre en silence\" width=\"641\" height=\"440\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/5-sans-titre-en-silence1.jpg 641w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/5-sans-titre-en-silence1-300x205.jpg 300w\" sizes=\"(max-width: 641px) 100vw, 641px\" \/><\/a><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/1genera.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\" size-full wp-image-110 aligncenter\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/1genera.jpg\" alt=\"David Casini genera\" width=\"337\" height=\"450\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/1genera.jpg 337w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/1genera-224x300.jpg 224w\" sizes=\"(max-width: 337px) 100vw, 337px\" \/><\/a>Per cercare di capire <em>Genera<\/em>, l\u2019opera di David Casini vincitrice del Talent Prize 2009, \u00e8 necessario compiere un percorso. Innanzitutto bisogna passare attraverso il camino di <em>Krystall\u00f2s<\/em>. Stesso funzionamento del buco del Bianconiglio: conduce da un\u2019altra parte. Dall\u2019<strong>altra parte<\/strong> c\u2019\u00e8 il vuoto. <strong>Spazi siderali<\/strong>, gelidi, con finiture rococ\u00f2, come la stanza oltre Giove in <em>2001 Odissea nello Spazio<\/em>.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/2001SpaceOdyssey-room.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-4990\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/2001SpaceOdyssey-room.jpg\" alt=\"2001SpaceOdyssey room\" width=\"685\" height=\"403\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/2001SpaceOdyssey-room.jpg 685w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/2001SpaceOdyssey-room-300x176.jpg 300w\" sizes=\"(max-width: 685px) 100vw, 685px\" \/><\/a>Poi specchi barocchi laccati di nero, dai bordi sottili come fili di ragno. <strong>Magici<\/strong>, senz\u2019ombra di dubbio.Chi ci guarda dentro vede un cimitero di alberi tagliati. <em>View of the Exhibition<\/em>, una strage immobile e silenziosa, con una <strong>figura nota<\/strong> che passa in mezzo ai tronchi.<\/p>\n<p><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\" size-full wp-image-4991 aligncenter\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_1.jpg\" alt=\"David_Casini_1\" width=\"597\" height=\"440\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_1.jpg 597w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_1-300x221.jpg 300w\" sizes=\"(max-width: 597px) 100vw, 597px\" \/><\/a><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/4view-of-the-exhibition.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-4992\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_2.jpg\" alt=\"David_Casini_2\" width=\"559\" height=\"440\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_2.jpg 559w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_2-300x236.jpg 300w\" sizes=\"(max-width: 559px) 100vw, 559px\" \/><img decoding=\"async\" loading=\"lazy\" class=\" wp-image-109 size-full aligncenter\" title=\"view of the exhibition\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/4view-of-the-exhibition.jpg\" alt=\"\" width=\"512\" height=\"334\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/4view-of-the-exhibition.jpg 640w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/4view-of-the-exhibition-300x195.jpg 300w\" sizes=\"(max-width: 512px) 100vw, 512px\" \/><\/a><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/david-casini.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-4993\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/david-casini.jpg\" alt=\"david casini\" width=\"500\" height=\"389\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/david-casini.jpg 500w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/david-casini-300x233.jpg 300w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a>Casette da fiaba, totalmente nere, dentro a un mare di ghiaccio. Rocce macchiate di verde che si schiudono per far uscire un <strong>mostro<\/strong> dalle zampe color Big Babol (Untitled, 2004).<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/8david-casini2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-126 size-full\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/8david-casini2-e1444081511495.jpg\" alt=\"untitled\" width=\"824\" height=\"614\" \/><\/a>Infine, ecco <strong><em>Genera<\/em><\/strong>. Una <strong>teca di vetro<\/strong>. Come quelle che utilizzavano gli <strong>artisti ceroplasti<\/strong> del Settecento, per proteggere i loro simulacri umani. Come i <strong>reliquiari<\/strong>, usati per esporre frammenti di cadaveri talmente carichi di significato da diventare santi, miracolosi, capaci di portare il Grande Cambiamento nella vita di chi poteva vederli e toccarli. Alla fine le teche sono approdate nei <strong>laboratori<\/strong>. Ma lungo tutta la loro storia sono state utilizzate per isolare<strong> lacerti corporei<\/strong> di <strong>natura eccezionale<\/strong>. <em>Genera<\/em> contiene un riccio di mare, una struttura sferica irta di aculei. Piccola e corazzata, come un <strong>capside virale<\/strong>. In una teca non si pu\u00f2 collocare un corpo vivo.<a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/9david-casini.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter wp-image-113 size-full\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/9david-casini-e1444081586106.jpg\" alt=\"Genera\" width=\"633\" height=\"387\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/9david-casini-e1444081586106.jpg 633w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/9david-casini-e1444081586106-300x183.jpg 300w\" sizes=\"(max-width: 633px) 100vw, 633px\" \/><\/a>L\u2019echinoderma \u00e8 infatti morto. I virus, invece, si pongono a met\u00e0 strada fra ci\u00f2 che \u00e8 vivo e ci\u00f2 che non lo \u00e8. Questa sfera, ben ritta sui suoi pedicelli acuminati, \u00e8 colta nell\u2019atto di<strong> tracimare<\/strong>, di espellere un fiotto di cristalli bianchi e luminosi. <strong>Minerali,<\/strong> mondi antichissimi macinati e compressi in una struttura minuscola e geometricamente regolare. Non \u00e8 dato sapere se questo gesto \u00e8 un atto di escrezione, rigurgito, o una deposizione di uova. Ma \u00e8 meglio non aprire la teca. Il mondo in cui nasce <em>Genera<\/em>, oltre la superficie elegantissima e piena di fascino, \u00e8 molto <strong>pericoloso<\/strong>. E spesso il Big Change coincide con la morte.<\/p>\n<p><a href=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_4.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-4994\" src=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_4.jpg\" alt=\"David_Casini_4\" width=\"559\" height=\"440\" srcset=\"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_4.jpg 559w, https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/David_Casini_4-300x236.jpg 300w\" sizes=\"(max-width: 559px) 100vw, 559px\" \/><\/a><\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Per cercare di capire Genera, l\u2019opera di David Casini vincitrice del Talent Prize 2009, \u00e8 necessario compiere un percorso. Innanzitutto bisogna passare attraverso il camino di Krystall\u00f2s. Stesso funzionamento del buco del Bianconiglio: conduce da un\u2019altra parte. Dall\u2019altra parte c\u2019\u00e8 il vuoto. Spazi siderali, gelidi, con finiture rococ\u00f2, come la stanza oltre Giove in 2001 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4399,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[29],"tags":[62,2356,2350,2352,70,2351,1834,2357,227,740,2354,593,2353,2355],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PANDORA GENESIS___ Capsidi virali, reliquiari e morte nell&#039;opera &quot;Genera&quot; di David Casini - Kainowska<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kainowska.com\/sito\/david-casini-_pandora-genesis\/\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PANDORA GENESIS___ Capsidi virali, reliquiari e morte nell&#039;opera &quot;Genera&quot; di David Casini - Kainowska\" \/>\n<meta property=\"og:description\" content=\"Per cercare di capire Genera, l\u2019opera di David Casini vincitrice del Talent Prize 2009, \u00e8 necessario compiere un percorso. 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