{"version":"1.0","provider_name":"Kainowska","provider_url":"https:\/\/www.kainowska.com\/sito","author_name":"admin","author_url":"https:\/\/www.kainowska.com\/sito\/author\/admin\/","title":"EMPIRE OF OBJECTS ___ Heretic Pop and semiotic terrorism in the artwork of Francesco De Molfetta and Matteo Negri - Kainowska","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"py3FQZTyN2\"><a href=\"https:\/\/www.kainowska.com\/sito\/empire-of-objects-_-de-molfetta-negri\/\">EMPIRE OF OBJECTS ___ Heretic Pop and semiotic terrorism in the artwork of Francesco De Molfetta and Matteo Negri<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.kainowska.com\/sito\/empire-of-objects-_-de-molfetta-negri\/embed\/#?secret=py3FQZTyN2\" width=\"600\" height=\"338\" title=\"&#8220;EMPIRE OF OBJECTS ___ Heretic Pop and semiotic terrorism in the artwork of Francesco De Molfetta and Matteo Negri&#8221; &#8212; Kainowska\" data-secret=\"py3FQZTyN2\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/07\/de-molfetta-Porto_Cervo.jpg","thumbnail_width":"330","thumbnail_height":"360","description":"Heretic pop. Very useful. To smash the aura\u00a0 of all the untouchables of art, to reveal the ridiculousness of princes, to scar the divine names of corporations. De Molfetta trains himself in committing little acts of semiotic terrorism, to the detriment of animals, birds, couples engrossed in copulation, and widespread popular habits. A gentle, magic [&hellip;]"}