{"version":"1.0","provider_name":"Kainowska","provider_url":"https:\/\/www.kainowska.com\/sito","author_name":"admin","author_url":"https:\/\/www.kainowska.com\/sito\/author\/admin\/","title":"PANDORA GENESIS___ Capsidi virali, reliquiari e morte nell'opera \"Genera\" di David Casini - Kainowska","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"yFVCt0XgxZ\"><a href=\"https:\/\/www.kainowska.com\/sito\/david-casini-_pandora-genesis\/\">PANDORA GENESIS___ Capsidi virali, reliquiari e morte nell&#8217;opera &#8220;Genera&#8221; di David Casini<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.kainowska.com\/sito\/david-casini-_pandora-genesis\/embed\/#?secret=yFVCt0XgxZ\" width=\"600\" height=\"338\" title=\"&#8220;PANDORA GENESIS___ Capsidi virali, reliquiari e morte nell&#8217;opera &#8220;Genera&#8221; di David Casini&#8221; &#8212; Kainowska\" data-secret=\"yFVCt0XgxZ\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/www.kainowska.com\/sito\/wp-content\/uploads\/2011\/04\/4view-of-the-exhibition1.jpg","thumbnail_width":640,"thumbnail_height":417,"description":"Per cercare di capire Genera, l\u2019opera di David Casini vincitrice del Talent Prize 2009, \u00e8 necessario compiere un percorso. Innanzitutto bisogna passare attraverso il camino di Krystall\u00f2s. Stesso funzionamento del buco del Bianconiglio: conduce da un\u2019altra parte. Dall\u2019altra parte c\u2019\u00e8 il vuoto. Spazi siderali, gelidi, con finiture rococ\u00f2, come la stanza oltre Giove in 2001 [&hellip;]"}